9 posts tagged with "Research"

As an English student, I was always told to keep my writing concise. Doing so was often easy because I could assume that the person reading my work would be an English scholar, so their expectations of my writing and the knowledge they brought to it would sit within a very specific range. In this way, I trained myself to default to an academic tone and level of complexity and to produce writing that was comparative and analytical.

This summer, however, as a member of the LINCS documentation team, I worked on an entirely different kind of writing: user guides and instruction manuals for the many software tools developed or employed by the project. To begin writing documentation, I first had to relearn how to write...

Over the past two years I’ve had chances to work on many aspects of the Orlando Project, but the work that I’ve consistently found the most engaging has been researching and writing author profiles. Orlando’s profiles are collaboratively authored scholarly histories, which are structured by a custom XML tagset, and which allow researchers to explore the intersections between women’s lives and their creative production. During my first summer as Digital Humanities (DH) Research Assistant, I began work on the profile on Lili Elbe; in the past year, I started writing a profile on Gurpreet Kaur Bhatti. As I put the finishing touches on these profiles, I’ve noticed that both women’s life stories highlight the overlap between the personal and the political, and between individual identity and the limits imposed on creative work...

The Digital Humanities (DH) was not something I had a lot of experience with before starting as a LINCS undergraduate research assistant. My work with LINCS pertains to the Early Modern London project, working alongside the Map of Early Modern London (MoEML) team. Part of my job is what LINCS refers to as reconciliation, or what MoEML refers to as disambiguation...

If each part of a ship were replaced over time, when, if ever, does it become a new ship?

Little did Heraclitus, Plato, and others know that the problems posed by the “Ship of Theseus” paradox would continue to vex digital humanists in the twenty-first century...

I joined the LINCS Project as an undergraduate research assistant, mainly to work on the Orlando Project. This position gave me my first real experience with Digital Humanities (DH). Before starting the job I could barely have come up with even a vague definition of DH (despite my best efforts and quite a bit of Googling). When I finally did start to get a sense of the nature of DH—a field that brings together humanities research and new technologies, birthing new possibilities and adding depth to research—there were elements of it that felt very familiar and in line with the sort of work I had experience with as an undergraduate student majoring in English...

When I began working with ontologies at the LINCS project this summer, my colleagues and I quickly found ourselves asking exasperating questions like “How do you explain the visual concepts present in an artwork to a database?” Even more broad (and maybe ultimately unanswerable) questions like “what is a thing?” also began to arise.

Soon I was assigned to music data...

History has always been something I’ve been passionate about, and as an undergraduate student approaching graduation, I’ve become more eager to find ways to preserve primary sources. From my experience, having access to primary sources makes the researching process a lot easier, and these sources would not exist if there weren’t proper measures to preserve them.

If you’ve ever taken a history class, you probably know about the distinction between primary and secondary sources, and how primary sources are integral to the reliability of any history paper or assignment. Among primary sources in history, one type that goes largely unnoticed and can actually be hard to define is oral history...

In the summer of 2020, I was hired as a research assistant with the University of Guelph’s Bachinski/Chu Print Study Collection. Initially, my job entailed the care and maintenance of the objects in the collection with a few other tasks as assigned. Of course, the arrival of the COVID-19 pandemic meant that I spent the entire summer not working with the objects themselves, but rather doing deep research from home, using whatever online sources I could find. This proved to be challenging because while the collection boasts objects from a variety of dates and creators, it is largely made up of the works of mid-to-late twentieth-century Canadian printmakers who have a limited online presence...

The core of the Linked Infrastructure for Networked Cultural Scholarship (LINCS) project is the simple proposition that making Linked Open Data (LOD) out of the stuff scholars use to understand and analyze culture will make a difference. LINCS hopes to make a difference to how we can make sense of the human past and present. It aims to enable such work within and beyond academic contexts, and in so doing to improve how things cultural can be presented and circulated on the World Wide Web.

I say stuff and things to demystify the notion of data. Those who make culture seldom think of themselves as creating data, and neither do those who collect, celebrate, curate, and analyze cultural objects, processes, and events. But everything we make and do can be represented as data and circulated on the Web, and a large part of contemporary culture is Web culture...